ART AS TRANSFORMER
What are the relationships between the photographic image, painting and mediation?
This essay is a theoretical investigation exploring Adam Grose's practice and its relational mediation between itself and the photographic image. Since the 9/11 attacks on 11th September 2001 the following years have been a period of immense change and instability in the World.
Our interpretation of reality, through photographic images, has further evolved through the introduction of the mobile phone and its camera, creating particularities that hook into unknown appetites, devouring and assimilating new forms of information into our lifestyles, through the cacophony of phantasmagorical imagery shared on-line, something that can saturate our sense of culture and ourselves.
This new publication will be available to purchase from Amazon in print and ebook formats in April 2017.